1/31/2024 0 Comments Robots dont sleep![]() It is very important that this magic happens during a shoot, that people from different departments help each other and we become something of a big machine. All in all we were around 15-20 people and it was one of these smooth shoots where things fall into place naturally. This was October so that meant neoprene suits for Sebastian and Medea. We shot two days at the Blood Orange Studios in Berlin and one more day at a real lake, also in Berlin. Pol: It was a three-day shoot and a long post production process of about four weeks. How did it get filmed, animated and edited? What’s your technology of choice and how many people were involved? It was a great choice, and it gave the video this nice indie film look.”Īnd a short Q&A with director Pol Ponsarnau and creative director Lukasz Polowczyk below: Pana, who did our color grading thought that we could make the blue even more powerful if we went for real black and white. We shot black on black, with some of the outside shots shot after dark. “The only actual color that’s in the video is blue. We went for a seductive, paternal angle, and I think that it really comes through on this particular still.” In the short screen time that we had we wanted to establish a power relation between our characters. “The story in the video in part deals with themes of power and conformity. The outfit that she’s wearing was designed by Mareike Bay, it’s pure silk-we wanted the fabric to come alive in the air.” These shots were captured on very high frame rates and Medea is actually doing extreme drops on a trampoline. “We were lucky that Medea Paffenholz, our female lead, was not only an actress, but also a very skillful acrobat. We contacted him about collaborating he loved the ideas that we were shooting around, and in the end he designed these two outfits for us.” ![]() “The characters in the video were inspired by ‘Invisible Empire’, which is a series of black on black photos by photographer Juha Arvid Helminen. You can see what they’re capable of by watching what happened when they hit the Boiler Roomrecently. Today it’s the turn of Berlin-based director and editor Pol Ponsarnau, who was commissioned to make the video for “Little White Lies”-the first fruits to be borne of Robot Koch and John LaMonica’s new project Robots Don’t Sleep. ![]() Taking four frames from a video, we let the directors tell their own story about the process of realizing the work. Welcome to the first instalment of our new Frame-by-Frame series where we subject music videos which inspire us or otherwise please our creative senses to close analysis.
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